|
DIRECTORS |
||
|
|
||
 Tessa Leong Adelaide 
 |
Tessa Leong wrote, directed and starred in
her first show in a year one assembly. It was about martians. She has
sinceworked on many shows during her time as a directing studentat
Flinders University Drama Centre and since her graduation in2006.
Directing highlights include
Best We Forget
and
Make Me Honest, Make Me Wedding Cake
which won
the 2009Adelaide Fringe inSPACE Development
Award both with isthisyours?, a company formed with other graduates of
the Flinders Drama Centre. Her work with Sydney Theatre Company,
Vitalstastix, State Theatre Company of SA, Restless Dance Company,
Country Arts SA and Real Time Collaborators has fed her love of new and
challenging work. She is currently working on Audio Commentary with
isthisyours?. |
|
 Corey McMahon Adelaide
|
Corey initially trained as an actor before moving into directing at Flinders
University Drama Centre. He graduated in 2006 with 1st
Class
Honours
and completed his Master of Creative Arts in 2007.
He has worked as a director, producer, dramaturg, tutor and assistant
director and is the founder and artistic director of
five.point.one.
In
2008, Corey undertook an internship with |
|
| 2005 | ||
 Toni Main Adelaide
|
Toni graduated from the directing course at the Flinders University Drama
Centre in 2005 with honours.
Her theatre directing credits include
Two by Jim Cartwright (2006),
Out of the Boot for Urban Myth
Theatre (2006), The Bank Job by Alex Vickery-Howe (2006).
Harm’s
Way by Mac Wellman (2005),
Dreaming by Peter Barnes (2004),
After Dinner by Andrew
Bovell (2004) and
Dreamtown by Melissa
Reeves (2003). Film credits include; On the First Day, Director,
Jean & Julie, Assistant Director and
Angela’s Decision, Set Dresser. She has a strong passion for mask
performance of which she has directed
and co-created two performances using the Libby Appel mask performance
technique: The Hidden
Family of Her
(2007) and Everybody go to the Left Side of the Room
(2006). |
|
| 2004 | ||
|
Justin McGuinness Adelaide |
||
| 2003 | ||
 Tait Muller Adelaide |
Tait has worked
in the television industry for
17 years, and in that time has written, directed and produced a
variety of television programs. Recent credits include the
Out of
the Ordinary
series for NWS9,
Savvy TV
for
the TEN Network, plus a collection of vignettes for the ABC. Tait
graduated from the Flinders
University Drama Centre in 2003, with First-Class honours, and was awarded
the inaugural Adelaide Bank Helpmann Academy Award. Since graduating, Tait has developed a number of
projects for television and
corporate interests, he has completed his fifth short film
Fluffy
Dice,
and is currently collaborating with a writer on a feature length script. |
|
| 2002 | ||
 Ali Gordon Sydney
|
Director, performer, teacher and arts innovator, Ali has a passion to
create work for chldren. With fellow graduates Sarah Lockwood and
Carolyn Ramsey, she is creating Drop Bear Theatre for children and
families with their first show touring in 2010. Ali is driven by
the comic and the unusual. Her directing credits include Director of
the Windmill Street Performance Troupe, Assistant Director with State
Theatre SA’s Proof, Associate Director to Nigel Jamieson
for Windmill’s Brundibar, assistant to Neill Gladwinn and
Peter Wilson for Windmill’s Wilfred Gordon McDonald Partridge.
In Adelaide Ali worked closely with Patch Theatre Company’s Purple
Patch and as a teacher with Scotch College and The Wilderness
School. In a stint as Marketing Services Manager at the National
Maritime Museum, Ali produced Caleb Lewis' 2008 AWGIE best interactive
media project Who Iced Otzi?
and various other
online projects. In 2008 and 2009, she also worked for Belvoir St
Theatre as Marketing Manager. She currently works in education at
the Powerhouse Museum. Ali's studies were in Arts Management at
UniSA and with the Drama Centre at Flinders University. She likes
puppets and riding her bike. |
|
| 2001 | ||
 Geordie Brookman Adelaide |
Since graduating
from the Flinders Drama Centre in 2001, Geordie has worked as a director,
writer, dramaturg and producer and has showcased work around Australia and
the UK. His recent theatre credits include
Tender (nowyesnow
/ Belvoir), Fewer Emergencies (UOW Creative Arts),
Hot Fudge
(State Theatre SA)
4.48 Psychosis
(Brink), Tiny
Dynamite (Griffin Stablemates),
Marathon,
Morph,
Disco Pigs and
The Return
(Fresh Track), Love is Pain,
Mt Ragged
(Sydney
Theatre Company Blueprints), Brecht Explorations,
Absurdist
Explorations
(Sydney Theatre Company Education),
Reformation
(Aus. Fashion Week), Immaculate Confection
(National Tour).
Geordie has also directed for other companies including Queensland Theatre
Company and has assistant directed on many productions including
Snugglepot and Cuddlepie
(Company B),
12 Angry Men
(APA),
The Real Thing,
Holy Day,
Endgame and
Life
is a Dream (STC). Positions held include Affiliate Director
at the Sydney Theatre Company, Artistic Associate at Fresh Track and
Artistic Development Coordinator at QTC. Geordie is also a board
member for World Interplay. He is currently the co-Artistic Director
of the performance group nowyesnow and has been appointed as the 2008-2009
Associate Director at the State Theatre Company of South Australia.
Awards include an Advertiser Best in Fringe Award for
The Return,
Sun Herald Best Independent Production for Tiny Dynamite and
nominations for an Adelaide Critics Circle Award and the Stage’s Best
Ensemble Award. |
|
|
Ross Ganf Melbourne |
||
| 2000 |
|
|
 Sam Haren Adelaide |
Sam works primarily as a director, often designing and creating video for
his own work. Sam is a founding
member of The Border Project and has directed/co-directed all of the
company’s work and his directing
credits with them include
Highway Rock ‘n’ Roll Disaster
(Adelaide
Fringe 2006),
Please Go Hop! with
Ingrid Voorendt (Adelaide Fringe 2004 and Next Wave Festival),
The War
(Gorge ’03 at the AFCT),
Despoiled Shore Medea Material Landscape with Argonauts, and the
creative development of Disappearance. Sam has also founded the Remote Telemetry Dialogues,
an ongoing creative conversation
with director Steve Mayhew, and created and manipulated
Super Dimension
Fortress One (Feast Festival
2004). In 2001, Sam directed Fronteras Americanas (American Borders),
which toured to Singapore
later that year, and was part of Kultour 2003 around Australia. Sam was
awarded the Dame Ruby
Litchfield Scholarship for 2002 and undertook a three-month internship
with The Wooster Group in New
York, working on their production of
To You, The Birdie! and
observed Forced Entertainment’s research
and development of The Travels
in the UK. He has also worked with
Leigh Warren and Dancers and the Australian Dance Theatre as a dramaturg and researcher. He has worked as
an Assistant Director to Simon
Phillips on The Tempest
(Melbourne Theatre Company), to Rosalba
Clemente on Holy Day
(State Theatre
Company of SA/Playbox) and to Mary Moore for
The Memory Museum
(Centenary of Federation). |
|
 Christopher Hurrell Sydney
|
Christopher is the Director of the 2007
Actors at Work for the Bell
Shakespeare Company, creating education productions based on
Hamlet and
King Lear,
The
Merchant of Venice,
Twelfth Night
and Macbeth. These productions tour nationally throughout
2007. Christopher directed the world premiere
production of
Mr. Bailey’s Minder by Debra Oswald, for
Griffin Theatre Company in 2004.
This production toured throughout Australia in 2006. Other world
premiere Australian works include
The
Department Store by Justin Fleming (based on the novel
Au
Bonheur des Dames by Emile
Zola) for Parnassus Den at the Old Fitzroy Theatre, and
Navigating
Flinders by Don Reid at the
Ensemble theatre.
For his own company, Tangent Productions, Christopher directed the
2003
Sydney premiere of
Myth, Propaganda and Disaster in Nazi Germany and Contemporary America
by
Stephen Sewell (as well as its successful 2005 revival),
Edward II
at the 2002 Adelaide Fringe
and The Nightmare
at the Darlinghurst Theatre. Other productions include
Don’s Party (James
Cook University) What the Umbrella Did Next
(Australian Theatre for
Young People), Angels in
America – Perestroika, Dreams of Clytemnestra,
Death and the Maiden,
M.
Butterfly,
Westside
Story, The Game of Dice and
Hate
(Flinders University Drama
Centre).
He is the Literary
Manager of Sydney’s Griffin Theatre Company.
As assistant director, he has worked on the musical
Eureka
as part of the 2004 Melbourne International Arts Festival,
Romeo and
Juliet and
The
Tempest
for the Bell Shakespeare Company,
Buried Child
and
What the Butler Saw
for Company B Belvoir,
Presence for Griffin
and Art for the State Theatre Company of SA. |
|
 Eddie Knight Adelaide |
||
 Claire Butler Denmark |
|
|
 Dominic Golding Melbourne |
||
| 1999 | ||
 Rod Idle |
||
 Bill Magee |
||
|
Alison Robb Adelaide |
||
 Richard Back Adelaide |
Richard began his career in
theatre and film in the early eighties, studying cinematography at university
and
working for theatre companies all over Australia on the technical aspects of
performance. Since 1994 he
has specialised in the interface
between electronic and live performance firstly working in a creative
partnership with Lisa Philip-Harbutt in their company d.pix images and later
through projects associated
with the Flinders University Drama Centre. He
has worked with choreographers Graham Murray, Jonathon Taylor and Leigh Warren
and with theatre companies including Vitalstatistix, Patch and Adelaide &
Melbourne Festival on projects that integrate moving images with live
performance. Richard worked with Mary Moore on
The Masterkey
presented
at the 1998 Adelaide and Perth Arts Festivals and on the 2000 production
Exile, which was presented at the Sydney Spring and Shanghai International Arts Festivals.
He continues to work as a cinematographer,
mainly in short films, and is currently co-Vice President of the
Australian
Cinematographers Society, South Australian Branch. |
|
| 1998 | ||
 Anne Thompson SA/VIC |
Anne Thompson was
a founding member of Dance Works; the company established in 1983 by
Nanette Hassall to develop Australian contemporary dance choreographers. She
worked for the company as a dancer, choreographer, teacher and community artist. During that
time she co-founded the theoretical journal,
Writings On Dance, with Elizabeth Dempster and Jude Walton
and taught contemporary dance in
tertiary institutions in Victoria. She was thus involved in the
importation of American post-modern dance
ideas and techniques to Australia and in establishing a theoretical
dialogue between feminist ideas,
contemporary cultural theory, philosophical theories of the body and
contemporary dance. She started
part-time lecturing in movement for actors at the Victorian College of
Arts Drama School in 1988 and
became Head of Movement in 1990. She was nominated for a Green Room award
for her Daughter Solo
in 1990. She also completed a Graduate Diploma in Movement
and Dance and was part of a pilot dance
therapy program in Melbourne. In 1994 she moved to Adelaide to
complete a MA in Directing at Flinders
University with Professor Julie Holledge. In the theoretical
component of her Masters she focused on how
theories of subjectivity which locate the body at the centre of the ‘self’
were being used in contemporary
dance practice. In the practical component she studied directing
text based theatre. She has also worked
at Flinders as a Lecturer in Theories of Performance, supervisor of
student productions, coordinator of the
movement course and researcher. She works in the theatre industry as a dramaturg and director primarily in
visual and physical theatre and with independent artists and small companies. She has worked with Garry
Stewart, Artistic Director of ADT as a dramaturg on three projects. She
has reviewed dance in Adelaide for Real Time. She has also been on the Artistic Advisory team for Vitalstatistix since Maude Davey
became Artistic Director. In 2001 she co-founded the Eleventh Hour
Theatre project in Melbourne with
William Henderson, Fiona Todd and David Tredinnick. The company has
focused on juxtaposing poetic and dramatic language in theatre performances and reframing classic texts. It has presented seven shows.
In 2006 the company won two Green Room Awards (the Victorian Industry
Awards) for their 2005 productions of Arthur Miller’s The Crucible and
Shakespeare’s King John - Best Adaptation and Best Drama Production. In
November 2005 she was awarded her Ph.D. which examines the project of
Reconciliation from a white Australian perspective including how
nationalism, the arts and the government’s political agenda too often
intertwine to perpetuate a ‘white Australia’. In 2007 she was appointed a
part-time Lecturer in directing and acting at Flinders University Drama
Centre and Eleventh Hour won four Green Room Awards in the Independent
Theatre category for their 2006 homage to Samuel Beckett – Best
production, Best director, Best male actor (Peter Houghton) and Best
design (Julie Renton). |
|
|
Adele Chynoweth |
||
| 1997 | ||
|
Kellie May Brisbane |
Kellie completed her Bachelor of Arts, Honours in Drama in 1997 and
graduated as a Director majoring in
theatre direction from Flinders University Drama Centre. As a
component of her graduating component she was Assistant Director for
The Red Sun
performed in Japan and at
the Adelaide Festival of Arts. In 1997,
she was Assistant Director for Company B's production of
Black Mary
and for the State Theatre Company
of South Australia Production of Tales from Arabian Nights. Her
experience includes stage management for
the Adelaide Festival Centre's Compagnie Maguy Marin and Venue
Co-ordinator for the Festival of Ideas in
Adelaide as well as for The Telstra Adelaide Festival of Arts 2000.
Kellie went on to hold the position of
Venue Sales Co-ordinator at the Adelaide Festival Centre. During
this time she was responsible for venue
contracting arrangements working closely with the Australian Ballet
Company, State Opera of South
Australia, State Theatre Company of South Australia and national and
international theatre producers. Kellie
joined Queensland Theatre Company in 2002 and is currently their
Operations Manager. |
|
| 1995 | ||
 Benedict Andrews Sydney |
Benedict Andrews is a major new talent in the Australian theatre. He works with
the most contemporary of aesthetics, but with a deep understanding and respect
for theatre tradition. Born in Adelaide in 1972, Benedict graduated with
First Class Honours in Bachelor of Arts, from Flinders University Drama Centre.
Benedict has directed a significant number of productions since he graduated in
1995. His early work included the Australian premiere of
Wounds to
the Face by Howard Barker, in which he received an Award for Best
Production in the 1996 Adelaide Fringe and the Australian premiere of Jez
Butterworth’s Mojo, which won Best Overall Production in the 1998
Adelaide Fringe. In 1998, Benedict was awarded the Gloria Payten & Gloria
Dawn Fellowship which he used to travel to New York, Brussels, Antwerp, Berlin,
Weimar, Hamburg, and Paris to observe the processes of leading European
practitioners. He was appointed resident director of the Sydney Theatre Company
between 2000 and 2003. In 2000, he directed Marivaux’s
La Dispute,
which won the inaugural Helpman Award for Best Director of a Play. Since
2002, Benedict has been a regular guest at Berlin’s prestigious Schaubuhne am
Lehniner Platz, developing work and staging moved readings. Two of his
productions continue to play in the repertoire of this company. He also
directed the production of Marius von Mayenburg’s Eldorado for the
Malthouse Theatre in May 2006. |
|
| 1992 | ||
 Joh Hartog Adelaide |
Joh first moved to Australia in
1965 and worked as a director with Q theatre in
Sydney in 1969. He then
returned to Holland where he worked with several
companies until 1974 when he took up work with the
Music Hall in Neutral Bay, NSW. He continued to work on and off in theatre in
NSW until coming to
South Australia where he completed a Bachelor of Arts at
Flinders University in 1992. The work he did for his PhD thesis, a cultural
audit on events at the Festival Centre, translated into a national project,
which eventually became AusStage. He is a senior lecturer at Flinders
University, where he has directed numerous productions including
The Housekeeper,
Massacre Games,
Attempts on her Life,
Mad Forest and
Three Sisters. Productions outside the
University include Dark Matter – A Diapasonic Trek
(original work),
And I’ll Give You All The Diamonds In
My Teeth and The Bald Primadonna. His most recent
endeavour has been to help set up Short Theatre,
which is designed as a coming together of local talent to review, discuss and
present 10 minute works. |
|
| 1991 | ||
|
Ellen Freeman |
|
|
| 1990 | ||
|
Steven Mayhew Adelaide |
For the past few years of his arts career, Steve has concentrated on the
development of new theatre based
works as a director, writer, designer, composer, dramaturg and creative
producer. In all circumstances
Steve has worked with many artists, community members and young people to
devise works which attempt
to tell stories with unusual and unconventional structures. Recently he
developed a 150 Celebration utilizing
the community of Melrose, exploring the use of sound as a preliminary
point to tell stories in his
Come Out
project 7.15 took shower, 7.35 ate breakfast, along with
Urban Myth’s 2002 work in progress, Brave.
He has helped develop Risky with Junction Theatre as well numerous
shows with young people in Urban
Myth and Riverland Youth Theatre. Steve has also worked as an advisor and
mentor to students studying at
the Drama Centre and as a dramaturg with The Border Project's
Disappearance. As an Arts Manager
and Coordinator Steve has worked for Carlcew, Tasmanian Regional Arts,
Comeout 02, Adelaide Cabaret
Festival and Brink Productions. He was the Artistic Coordinator of Riverland Youth Theatre from 1996 to
1998 and the Manager of Artistic Programs for Junction Theatre from 1998
to 2000. |
|
| 1989 | ||
 Charles Parkinson |
Charles has spent a sustained part of his
working life breaking down the barriers in touring, particularly in getting a
great variety of touring product out to small towns through the HotHouse Theatre
Regional Touring Circuit. Charles trained at Flinders University Drama
Centre and has worked in Australia and the USA as a director, lighting designer,
actor and arts administrator. He has directed shows for the Adelaide, Sydney and
Melbourne Festivals and was Artistic Director of the Flying Fruit Fly Circus for
five years. He was Artistic Director of Breadline Theatre and CIRKIDZ and
Administrator of Mainstreet Theatre. Charles directed the Twentieth
Anniversary Show for the Flying Fruit Fly Circus and most recently co-directed a
HotHouse Theatre and Flying Fruit Fly Circus co-production of A Midsummer
Night’s Dream with Kim Walker. Charles has been a member of the Australian
National Playwrights Centre's Artistic Advisory Panel and a member of the
Regional Advisory Panel for La Trobe University. He was the inaugural Chair of
the Victorian Regional Arts Fund, a director of the Border Trust Community
Foundation and an executive member of the Regional Arts Board of Albury Wodonga. |
|
|
Peter Douglas |
|
|
| 1988 | ||
|
Catherine McKinnon |
Catherine studied to be a director at Flinders University Drama Centre
and then became a founding
member
of the Red Shed Theatre Company. Over a 9 year period she worked for the
Shed as a director
and writer
and for several years as a co-artistic director. With company
members and writers she helped
develop many
new Australian plays including Sweetown
and Storming Heaven
by Melissa Reeves and
All Souls by Daniel
Keene. Her own plays for the Shed include Immaculate Deceptions,
A Rose By Any Other Name,
Road to
Mindanao and
Eye of Another. During this time she also
freelanced to the State Theatre Company of SA.
Her directing credits there include Diving For Pearls,
Barmaids,
Three Birds Alighting On A Field,
Spring Awakening
and Morning Sacrifice. On leaving
Adelaide she completed a Masters in
Creative Writing at UTS Sydney and is
currently finishing
her first novel, The Swordfish Tales.
Most recently she has been working for April Films, writing stories
and filming interviews, about the making
of Jindabyne, a new film by Ray Lawrence, written by Beatrix
Christian. Recently she won the
Penguin/WW
2006 prize for short story writing and is finishing her first novel
The Accidental Apprentice. |
|
|
Glen McGillivray Sydney |
Glen McGillivray has worked professionally in theatre for over fifteen years.
He was the Artistic Director of Theatre of Desire, a contemporary performance
company producing original material, which included:
Rites of Memory
and Desire (1993-1996),
The Frankenstein Twist
(1995) and Customs (1998), which the company
commissioned from Perth-based writer Josephine Wilson. Glen has also been the
Artistic Director of ATYP, an Associate Director and dramaturg for the State
Theatre Company of South Australia and has worked extensively as a freelance
director. In addition to his work as a director, Glen has had a long
association with the development of new writing for the theatre. In 2002,
he was the Australia Council funded dramaturg at the Banff PlayRites colony in
Alberta, Canada and he worked as a script assessor for the Australian National
Playwrights’ Centre. Glen has also taught acting at the Actors’ Centre
Australia and run classes for the NIDA open program, the NSW Conservatorium of
Music and the Actors’ College of Theatre and Television. In 2004 he
completed a PhD in performance studies and currently teaches at the University
of Western Sydney and Sydney University. |
|
| 1986 | ||
|
Antonietta Morgillo Sydney |
Antonietta Morgillo has worked as an actor/writer/director. She studied Drama at Flinders University, where she gained a Bachelor of Arts ( Hons) degree majoring in Drama, Cinema Studies and Feminism. She founded the Red Shed Company (1987), acted for it and worked as a management committee member. Later she was actor/writer/director and workshop leader for Doppio Teatro. She was a theatre assessor for the Australia Council in 1992. |
|
| 1985 | ||
|
David Carlin Melbourne |
David
is a writer and film-maker who has also worked as a theatre and circus
director. He has written for both screen and stage, and produced and
directed a number of documentaries and short dramas. His work has been screened and performed in
festivals in Australia and internationally. In 1996 his short film
Mister Bawky
won multiple awards
internationally. In 1997
David directed Circus Oz for a six week sell-out season on 42nd St in New York City. He
was writer/director of the documentary Out of Our Minds
in 2000 and was invited to screen in
competition at the prestigious Amsterdam International Documentary Festival in 2001. He has also been the
Artistic Director of Arena Theatre and a founding member of the theatre collective Red Shed Company
in Adelaide. He has directed numerous premieres of Australian works including Melissa Reeves’
In
Cahoots, John Romeril’s
Black Cargo and Mary Morris’
Blabbermouth. His own play
Frankenstein’s Children (1990) premiered at the Adelaide Festival and has since been produced around Australia
and in translation in Germany and Venezuela. Most recently, he was a producer of the documentary series
The Lifestyle Experts which screened on SBS TV in 2006. David is
currently completing a PhD at the University of Melbourne, investigating
questions of memory, trauma and narrative in an
interdisciplinary project spanning creative writing, literature, cinema and new media forms. Other current research
interests include the theory and practise of documentary film and video
production; and digital storytelling as a tool for pedagogy and community
development. |
|
 Tim Maddock Wollongong |
Tim has worked in the theatre for almost 20 years as a Director,
Designer, Actor and Educator. He was a founding member of Adelaide's Red Shed and eventually became Artistic
Director. For the Shed he
worked
on a number of world premieres for the Adelaide Festival including
The
Architect's Walk by
Daniel Keene.
Tim was part of a group that successfully established the South Australian
theatre company Brink
Productions. He went on to direct numerous productions including
(Uncle) Vanya by Howard Barker at Belvoir St. In 2000 Tim co-directed with UK playwright Barker the
epic 8½ hour production
The
Ecstatic
Bible, involving the UK's The Wrestling School and Brink Productions.
This was a major feature of Robyn
Archer's 2000 Adelaide Festival and a triumphant artistic success.
Over many years Tim has produced
works for the Drama Centre including Cultureshock - an
intercultural collaboration between Australian and Okinawan students performed both in Japan and Australia. At the
Drama Centre Tim has also supervised on
over 20 productions. Recently he directed
Cosi for a
graduating production at NIDA and in August he will
direct a new work conceived by independent film-maker and composer Andree
Greenwell for The Studio at
the Sydney Opera House. |
|
| 1981 | ||
|
John McConchie Adelaide |
John specialised in Directing for Film and Theatre, and graduated with Honours in 1981. Remaining in Adelaide, he worked on several independent productions in film, video and theatre in various capacities, including dramaturg and co-producer for Mad Love's production The 1,000 Eyes of Dr Mabuse which won the Adelaide Festival Fringe Award in 1994. He also worked with the Media Resource Centre as a Programme Director for a number of national independent film festivals, and chaired the organisation from 1995 - 1997. John completed a Masters degree by research on Alfred Hitchcock at Flinders in 1991. Currently, he lectures in Screen Studies at Flinders, and is the Course Coordinator for the Bachelor of Creative Arts which covers the Drama Centre's course, as well as Screen Production, Creative Writing and Digital Media. | |
|
Christopher Bell Melbourne |
|
|
| 1975 | ||
 Scott Hicks Adelaide |
Scott Hicks graduated from Flinders University of South Australia
(BA Hons.) in 1975 and was awarded an honorary doctorate in 1997.
Scott was propelled to the forefront of
international filmmakers in 1996, following the release of his film
Shine
starring Geoffrey Rush. A box-office hit,
Shine sealed
Hicks' reputation when it earned seven Oscar nominations, including directing
and writing nods
for Hicks, and Rush won for Best Actor. Before
Shine,
however, Hicks made his mark as a documentarian. He won an Emmy in 1994
for Submarines: Sharks of Steel
and a coveted Peabody Award in
1989 for The Great Wall of Iron. His film
Snow Falling
On Cedars (1999) received kudos for its lush cinematography and
Hearts In Atlantis (2001) featured A-list star Anthony Hopkins.
Scott Hicks works and resides in Adelaide with his family. |
|
| Index | Other Directors - Mario Andreacchio, Anthony Maras, Craig Lahiff, Ron Saunders | |
|
|
Revised: 15-08-2010 |